{"title":"KORAB Karl","description":"\u003cp\u003eSilent villages, houses gathered into essential geometries, and still lifes in which objects seem to hold an untold story populate the world of \u003cstrong\u003eKarl Korab\u003c\/strong\u003e. Born in 1937 in Falkenstein, Lower Austria, the artist developed a personal figurative language capable of transforming landscapes and everyday surroundings into images suspended between memory and imagination. His artworks retain recognizable elements, but the organization of space, the simplification of forms, and the treatment of materials introduce a sense of distance from immediate reality.\u003c\/p\u003e\n\u003ch2\u003eVienna training and the search for a personal language\u003c\/h2\u003e\n\u003cp\u003eBetween 1957 and 1964, Korab studied at the \u003cstrong\u003eAcademy of Fine Arts Vienna\u003c\/strong\u003e, in \u003cstrong\u003eSergius Pauser\u003c\/strong\u003e's class. His training brought him into contact with a rich range of figurative approaches, among which the \u003cstrong\u003eViennese School of Fantastic Realism\u003c\/strong\u003e had also gained particular prominence. Although he shared with that cultural milieu an interest in images that could go beyond simply describing reality, Korab gradually developed an independent artistic approach. His compositions are not based on spectacular illusionistic effects, but on subtler transformations: a house becomes an almost symbolic volume, a group of buildings takes on the rhythm of an abstract construction, a familiar landscape suddenly seems unfamiliar.\u003c\/p\u003e\n\u003cp\u003eSimplification does not sever the connection with the places observed. On the contrary, it allows the artist to select what he considers essential and organize it according to a personal painterly logic. Perspectives can seem unusual, proportions accentuated, and surfaces traversed by colors that serve more than a purely descriptive function. LThe image retains a clarity of its own, yet leaves room for an ambiguity that invites viewers to linger in front of the painting.\u003c\/p\u003e\n\u003ch2\u003eThe Austrian landscape and the silence of architecture\u003c\/h2\u003e\n\u003cp\u003eThe \u003cstrong\u003eWaldviertel\u003c\/strong\u003e, a region in northern Austria where Korab lived and worked for a long time, occupies an important place in his imagination. Villages, rural architecture and elements of the landscape become opportunities to reflect on the relationship between human presence and the environment. Houses often seem closed in on themselves, and streets appear devoid of movement, as if time in the scene had been suspended. This stillness is not necessarily reassuring: the composition can suggest a subtle tension, conveyed through the arrangement of the buildings and the contrast between compact forms and empty spaces.\u003c\/p\u003e\n\u003cp\u003eStill lifes also play a part in this exploration. Simple objects are isolated and carefully juxtaposed, taking on an almost theatrical presence. The painting does not seek to depict them with photographic precision, but to transform them through color, rhythm, and material. In some compositions, Korab also used natural materials such as sand and ash, introducing a tactile quality that physically brings the painting's surface closer to the evoked landscapes. In these cases, material is not a decorative addition, but part of the expressive construction of the image.\u003c\/p\u003e\n\u003ch2\u003eDrawing, screenprint, and engraving\u003c\/h2\u003e\n\u003cp\u003eAlongside painting, \u003cstrong\u003edrawing\u003c\/strong\u003e is an important area of Korab's work, as it makes it possible to study the structure of forms and the relationship between elements of the composition. From the late 1960s, the artist also devoted himself to \u003cstrong\u003eoriginal printmaking\u003c\/strong\u003e, exploring processes such as \u003cstrong\u003escreenprint, etching, and lithography\u003c\/strong\u003e. Each technique offers him specific possibilities: screenprint lends itself to defining solid fields of color, etching highlights the incised line, while lithography maintains a particularly close relationship with drawing.\u003c\/p\u003e\n\u003cp\u003eGraphic artworks should not automatically be considered lesser reproductions of paintings. Translating a composition into print requires different choices regarding colors, plates, and the articulation of the surface. For collectors, however, it is essential to distinguish original editions from reproductions and verify the stated technique for each print, along with information about the print run and any signature.\u003c\/p\u003e\n\u003ch2\u003eReality Transformed by Painting\u003c\/h2\u003e\n\u003cp\u003eKorab's research demonstrates that an image can become enigmatic without abandoning the recognizable world. A village, a window, or an everyday object takes on new power when removed from immediate narrative and reconstructed through relationships of color, form, and silence. It is in this tension between familiarity and estrangement that the personal character of his painting lies, able to suggest a memory of places without becoming a merely nostalgic description.\u003c\/p\u003e","products":[{"product_id":"karl-korab-fuenf-wiener-lieder-acquaforte","title":"Korab Karl, Fuenf wiener lieder, 1970, Artist's book with four etchings and one screenprint","description":"\u003ch4\u003eINFORMATION ABOUT THE ARTWORK\u003c\/h4\u003e\n\u003chr\u003e\u003cbr\u003e\n\u003cp\u003e\u003cstrong\u003eArtist: \u003c\/strong\u003eKarl Korab\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitle: \u003c\/strong\u003eFuenf wiener lieder\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eYear: \u003c\/strong\u003e 1970\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTechnique: \u003c\/strong\u003eArtist’s book with four etchings and one screenprint\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cstrong\u003ePaper size: \u003c\/strong\u003e40 x 58 cm\u003c\/p\u003e\n\u003cp align=\"justify\"\u003e\u003cstrong\u003eDescription: \u003c\/strong\u003eArtist's book with four signed etchings and a screenprint. Copy 28\/300. The artwork is accompanied by a receipt \/ invoice and certificate of guarantee.\u003c\/p\u003e","brand":"EmporiumArt","offers":[{"title":"Default Title","offer_id":39673052364863,"sku":"STP-KRB-001","price":1000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1046\/8820\/products\/korab-karl-fuenf-wiener-lieder-1970-libro-dartista-187375.jpg?v=1706975093"}],"url":"https:\/\/emporiumart.com\/en-nl\/collections\/karl-korab.oembed","provider":"EmporiumArt","version":"1.0","type":"link"}