THE ARTWORK
In Il molo, Carlo Carrà arranges water, boats and buildings along a horizontal view. Fine lines accompany surfaces and distinguish planes through small density changes.
The etching leaves light and distance to the pale sheet. The scene remains calm, built from few relationships between foreground and horizon. The eye can follow the pier or linger on details animating water and landscape.
The etching leaves light and distance to the pale sheet. The scene remains calm, built from few relationships between foreground and horizon. The eye can follow the pier or linger on details animating water and landscape.