THE ARTWORK
In Jean François Bory’s offset lithograph, photographic images and film-strip edges form a vertical sequence. Faces, fragments and repetitions transform the sheet into a space akin to montage, where each image changes meaning through its relationship with those before and after it.
Black and white keeps the graphic structure of the cinematic medium clearly visible. The eye can recognise individual details or follow the continuity of the sequence. The result invites consideration of how an image is selected, repeated and put back into circulation.
Black and white keeps the graphic structure of the cinematic medium clearly visible. The eye can recognise individual details or follow the continuity of the sequence. The result invites consideration of how an image is selected, repeated and put back into circulation.