THE ARTWORK
In Gianfranco Ferroni’s Contemporaneamente, distinct fields coexist in the same composition: a dark, fragmented area stands beside light surfaces, geometric lines and a large circular element. Differences between parts invite comparison of images and structures without reducing them to a single scene.
The 1968 lithograph builds its rhythm through cuts, contrasts and overlaps. The title accompanies the simultaneous presence of different registers, leaving connections open. The eye passes from more figurative detail to spatial organisation, encountering a page in which each field changes how its neighbours are read.
The 1968 lithograph builds its rhythm through cuts, contrasts and overlaps. The title accompanies the simultaneous presence of different registers, leaving connections open. The eye passes from more figurative detail to spatial organisation, encountering a page in which each field changes how its neighbours are read.