Fausta Squatriti biography

- FAUSTA SQUATRITI ARTIST

 

Fausta Squatriti is an Italian artist among the most important in the panorama of Italian and international visual art. Born in Milan in 1941, she began her artistic research when she was in her early twenties, and has since been the protagonist of a long and influential artistic career. Visual artist, art publisher, poet, narrator and essayist, Fausta Squatriti has embraced multiple forms of expression, from graphics to drawing, from collage to sculpture, to installations and multi-material works.

His first steps into the world of art took place between the 60s and 70s, a period of cultural fervor and artistic experimentation. He has exhibited in various Italian galleries, such as Marconi, Mudima, Assab One, Weber&Weber, and abroad with important figures on the artistic scene, such as Pierre Lundholm, Alexander Iolas, Denise René and Karin Fesel.

Her passion for art led her to undertake a teaching career at prestigious art academies, such as those in Carrara, Venice and Milan, spreading knowledge of artists' books and contemporary art. A significant stage in his career was in 1985 when he curated the "Art and science: colour" section at the Venice Biennale, demonstrating an interdisciplinary and innovative approach in dealing with the theme of art and science.

about her Her versatility and ability to move with ease between different media have allowed her to create original and engaging works that range from abstract representation to the critical analysis of political and social themes. One of the most interesting aspects of his artistic journey is the constant exploration of new languages ​​and the evolution of his works over time.

From the study of informalism and surrealism in the 1960s, he then moves on to a more figurative and narrative approach, inspired, for example, by Tiepolo's frescoes. This ability to constantly renew himself testifies to his aptitude for exploring and dealing with new themes and artistic challenges.

Drawing occupies a special place in his artistic production. During the 1980s, Fausta Squatriti returned to drawing, attributing to it a fundamental role in expressing her emotions and investigating truth through abstraction. In particular, he found in the act of drawing a way to capture the ephemeral and fix on paper the flowers he received as gifts. Drawing therefore becomes a form of autonomous expression and a tool for communicating feelings and thoughts. His artistic production often deals with profound and universal themes, such as death and the transience of life. These concepts are treated with delicacy and intelligence, and his works become powerful tools for communicating emotions, reflections and dissent towards an ever-changing world.

Fausta Squatriti courageously faces political and emotional themes, as can be seen in works such as "In the animal kingdom" or "Signs of conflict", where art becomes a voice that testifies and denounces. Beauty has a central role in his artistic work. Consider beauty as a vehicle to convey ideas and to emotionally affect the viewer. For Fausta Squatriti, beauty is not a static or universal concept, but rather a subjective and changing experience, influenced by the culture and context in which the observer finds himself.

Her artistic career was accompanied by collaboration with critics and curators, and her relationship with them was one of mutual exchange and enrichment. While on the one hand he has worked with curators in important exhibitions, such as the one at the Moscow Museum of Modern Art in 2009, on the other he has maintained a relationship of friendship and esteem with many art critics, such as Umbro Apollonio, Carlo Belloli, Gillo Dorfles and others. These interactions helped shape his artistic path and define his role in the Italian and international artistic panorama. Fausta Squatriti's artistic research is characterized by an incessant curiosity, constant exploration and a continuous search for new forms of expression. His ability to convey emotions and reflections through his art is an invitation for those who approach his works to look beyond appearances and to grasp the multiplicity of meanings and feelings that hide in the folds of human existence. His legacy will undoubtedly be that of having taught us to see the world with attentive and sensitive eyes, rediscovering the beauty and depth hidden in every corner of our life experience.