THE ARTWORK
In Agostino Bonalumi’s Composizione from the portfolio Diario italiano, fine marks and essential forms are arranged on a pale ground. Red introduces a point of intensity, while dark and blue lines construct an open structure threaded with curves, verticals and small graphic elements.
The screenprint leaves generous room for empty space, which separates the elements without isolating them. Movement arises from distances and echoes between the marks rather than from a dominant central figure. The whole retains a light, questioning character, inviting the eye to follow the drawing as a path in constant transformation.
The screenprint leaves generous room for empty space, which separates the elements without isolating them. Movement arises from distances and echoes between the marks rather than from a dominant central figure. The whole retains a light, questioning character, inviting the eye to follow the drawing as a path in constant transformation.