THE ARTWORK
In Vincenzo Agnetti’s Forgotten pages memorised, Plate G, a large black rectangle occupies almost the entire inner field of the sheet. The lettering at the bottom introduces a restrained verbal presence, contrasting with the compactness of the dark surface.
The title opens a relationship between memory, page and the possibility of reading, without offering a recognisable narrative image. The eye is invited to dwell on what the black reveals and withholds. The light margin becomes an essential part of this encounter, separating the printed surface from the space around it.
The title opens a relationship between memory, page and the possibility of reading, without offering a recognisable narrative image. The eye is invited to dwell on what the black reveals and withholds. The light margin becomes an essential part of this encounter, separating the printed surface from the space around it.